Josh Bordman
Dance Instructor Josh Bordman (he/him) is a professional dancer that is currently signed to one of the top dance agencies Bloc. He has worked as a professional dancer at the theme park Cedar Point, and has had the opportunity to work with some amazing choreographers such as Broadway's own Christine Cornish, the Emmy award winning Al Blackstone, Wade Robson who has directed and choreographed for star studded musicians like Britney Spears and NSYNC, and many more. He can most recently be seen in the creative film “HOT TO GO” as a backup dancer, directed and choreographed by Michael McCrary. Born and raised in Scotch Plains, New Jersey he started out singing, acting, and dancing in local community musicals at 8 years old. It wouldn’t be until he turned 10 that he would officially start taking dance classes at the Moderne Academie of Fine Arts. He trained there for 8 years in the styles Jazz, Hip Hop, Ballet, Contemporary, Acrobatics, and Tap. From there he went to further his dance education in New York City at Broadway Dance Center and Steps on Broadway were he trained under choreographers such as Josh Assor, Miles Kenney, and many more. He then went on to train at the CLI Conservatory where he got to learn from 100+ currently working dancers and choreographers such as Marguerite Derricks, Brian Friedman, Sienna Lyons, Shannon Lewis, Ray Basa, Teddy Forance and many more in the styles of Jazz, Hip Hop, Heels, Musical Theater, Ballroom, Ballet, Contemporary, and many more. Since then he has moved back to New Jersey to pursue his professional dancing and teaching career. As a dance instructor Josh has taught at studios all across New Jersey and NYC, and has a class on CLI Studios. As a dance teacher Josh’s motto is to take class seriously, but not too seriously. He aims to create an environment that values the hard work and determination needed to improve in the art form, while still finding moments to remind them of the joy of dance. He loves to make whichever studio he is in a safe space, where the students can feel seen, heard, and are encouraged to be their most authentic self as a dancer and more importantly as a person. |